Read our interview with French director, screenwriter, cinematographer, editor and music producer Quentin Dupieux, who attended the New York City premiere of his new comedy thriller ‘Rubber’ on February 3, 2011 at the IFC Center. ‘Rubber,’ which is scheduled to have a VOD release on February 25, 2011, followed by a limited theatrical release on April 1, tells the story of a tire named Robert who comes to life in the California desert. He soon discovers he has telepathic powers, and at first is content with blowing up discarded objects and small animals with his mind. However, Robert soon finds enjoyment in killing people, all while an audience watches. After the screening of the Magnet Releasing film, Dupieux engaged in a question-and-answer period with the audience to discuss, among other things, why he made the film and how he got the tire to move.
Question (Q): Why did you make the film?
Quentin Dupieux (QD): I don’t know! The reason was I was supposed to shoot another movie, a bigger one, and it was too hard to finance. I had to do a small shoot like this.
Q: Why did you shoot in America instead of out of France?
QD: My first feature (’Nonfilm’) was shot in France, and it was really frustrating. I wanted to shoot in English first to reach a bigger audience. The desert is like a blank piece of paper, you can create anything in the desert.
Q: How did you get the tire to move?
QD: I don’t know! (laughs) It’s just a tire, so it’s supposed to roll. For a few shots, we had a remote control tire, but it was like a sh*ty remote control tire, so it was able to roll a little bit and stop. But for like 80 percent of the shots, it’s just a guy operating the tire with his hand outside of the shot. That’s the truth! There’s no CGI, for real, and what you saw I shot. But it’s an easy remote control car, you know we can make remote control cars?!? (laughs)
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