http://www.shockya.com/news/2010/10/08/chain-letter-movie-review/
Chain Letter Movie Review
Title: Chain Letter
Directed by: Deon Taylor (Terminated)
Starring: Nikki Reed (The Twilight Saga: Breaking Dawn - Part 1), Noah Segan, Keith David, Brad Dourif (Deadwood), and Michael B. Smith
There are people today who believe technology will be the downfall of humanity, and New Films International’s newest horror film, ‘Chain Letter,’ happily plays on that fear. Lead by popular horror actress Nikki Reed of ‘Twilight’ fame, ‘Chain Letter’ aims to scare some respect of other people’s privacy and anger towards the evolution of technology into its audience. But trying to push such a moral lesson onto audiences through a horror movie seemed to have backfired.
The movie follows several teen friends, including Jessie Campbell (played by Reed); Dante (portrayed by Noah Segan of ‘Cabin Fever 2′); and Rachel Conners (played by Cherilyn Wilson, who appeared in ‘The Social Network’) and her brother Neil (portrayed by Cody Kasch of ‘Desperate Housewives’ fame), who fight to stay alive after Neil received a chain letter while playing an internet video game. After Rachel follows the letter ’s instructions and sends it to five other people, those who deleted it without passing it along themselves start dying. Detective Jim Crenshaw (played by Keith David) and Sergeant Hamill (portrayed by Besty Russell from the ‘Saw’ series) look into the teens ‘ brutal murders, and start to question if they were the work of one man or of a group that hates technology, as the teens are tracked through their cell phones.
‘Chain Letter’ starts off to a redundant start, lacking in any original backstory or character development. Taking cues from other horror movies about the downfalls of technology, including 2006’s ‘Pulse,’ as well as the numerous torture-porn films that have risen to popularity during the last decade, including the aforementioned ‘Saw’ series, ‘Chain Letter’ simply fuses the two together. While fans of gore will be happy to see that three of the teens are killed right away, one after the other, many viewers will find it hard to empathize with the remaining characters ‘ grief, as not much is revealed about anyone.
It’s also questionable why director Deon Taylor, who also co-wrote the movie with Diana Erwin and Michael J. Pagin, followed typical high school-themed movies and didn’t feature the teens’ parents, except briefly in a couple of scenes. While most high school students try to stay away from their parents as often as they can, it seems logical that the parents would want to keep their children safe at home to protect them while a mass murderer is on the loose. It’s questionable why Taylor didn’t include that aspect.
However, the suspense does start to pick up around the mid-way point of the 85-minute film, when Jessie and Detective Crenshaw start to really look into if the murders are related to the chain letter. Not only will the audience start to feel that Detective Crenshaw is really serious in linking the letter to the murders and wants to find out who the killer is, Taylor made another right decision to show Jessie’s pain and determination to protect the rest of her friends who are still alive. At this point, audiences will surely forget that they ‘re watching Rosalie from the ‘Twilight Saga’ on the screen, and instead focus on Jessie ’s fight for survival.
While ‘Chain Letter’ isn’t the most thought-provoking, original horror movie ever made, its wide release was unfortunately scraped, after it opened in limited release on October 1 in such cities as New York, Los Angeles, Chicago, Houston, Detroit and Atlanta. The movie opened at number 34, raking in only $138,788 on 402 theaters against a $3 million budget. Even though it’s rated R for strong bloody sadistic violence throughout, language and brief nudity and would likely appeal to numerous horror fans, ‘Chain Letter’ won’t be passed on and seen by many more people during its theatrical release.
Written by: Karen Benardello
Friday, October 15, 2010
The Dead Matter Movie Review
http://www.shockya.com/news/2010/10/13/the-dead-matter-movie-review/
The Dead Matter Movie Review
Title: The Dead Matter
Directed by: Edward Douglas
Starring: Andrew Divoff, Jason Carter and Tom Savini
Is this another example of a musician following in the footsteps of Rob Zombie? Composer and Midnight Syndicate music group creator Edward Douglas has taken the leap into the horror film genre by co-writing and directing the new movie ‘The Dead Matter.’ The film, which is now available on DVD and stars Tom Savini, Andrew Divoff and Jason Carter, combines the two biggest sub-genres of horror today, vampires and zombies in an interesting plot of good vs. evil.
The movie follows two vampire lords, Sebed (played by Savini) and Vellich (portrayed by Divoff), as they fight each other to be the first to find a powerful relic, the scarab, which can control the dead. They both want the scarab because they both have sinister plans for it. However, vampire hunter Ian McCallister (played by Carter) is also searching for the scarab, as he plans on destroying it.
Meanwhile, Gretchen (portrayed by Sean Serino) convinces her boyfriend Mike (played by Tom Nagel) to go into the woods with her to perform a séance in an effort to contact her dead brother Sean (portrayed by Kenyatta Foster). Their friends Jill (played by CB Spencer) and Frank (portrayed by Chris Robichaud) go with them, and Frank accidentally finds the scarab. Gretchen uses it to contact Sean, and soon realizes that she can control the dead with it.
As Sebed and Vellich continue to search for the scarab, Gretchen and Mike discover they can continuously control a zombie named Mark. While Mike and Jill want nothing to do with him, Gretchen keeps on using the scarab, thinking if she can control Mark, she can bring Sean back.
‘The Dead Matter’ starts off with an interesting concept, as it combines the two horror genres into one storyline. Not only does it show Sebed and Vellich wanting to control vampires and the dead, but the plot also has characters who want to perform scientific experiment on the zombies, like ‘Day of the Dead.’
However, as a result, Douglas, who co-wrote the film with Tony Demci, was not able to fully develop the characters, as there were so many of them. For example, while the viewers will understand why Gretchen wants to use the scarab to bring Sean back, nothing more is revealed about them. The audience is left wondering what their relationship was like, the circumstances of his death, etc.
Not much background is revealed about Sebed, Vellich and Ian either, and they are the other major characters in the film. It was also never fully and clearly explained why Sebed and Villich wanted the scarab, and how Ian planned to stop them. It would have been interesting to see what the two vampire lords had planned for the scarab, and how they would control the dead. Considering ‘The Dead Matter’ was only one hour and 37 minutes long, Douglas can have added this information without making the movie too long or drawn out.
But Douglas was skillfully able to interweave a subtle moral into the story, which is unusual for a horror film. With Gretchen’s heartache over losing her brother, Douglas was able to show that people have to deal with their grief. No one can be brought back from the dead (in real life; in the movie’s world, zombies are nothing like their old selves), and the living have to learn how to move on with their lives.
Douglas, was also able to draw on his musical experience with Midnight Syndicate, a goth group whose music is primarily featured during the Halloween season in haunted attractions, to include a score in the film that adds an eerie ambiance. Viewers will undoubtedly feel as though they are in the woods with Gretchen and her friends, in the library when she is doing research on the scarab, in Sebed’s vampire lair, etc., just by the subtle instruments heard in the background.
Being distributed on DVD by Midnight Syndicate Films, in association with Precinct 13 Entertainment, ‘The Dead Matter’ is a must-see for fans of the music group and the horror genre in general. Not only does the movie expose horror fans who may have never heard Midnight Syndicate’s songs before to similarly-themed music, it also showcases Douglas’ creativity and knack for writing.
Written by: Karen Benardello
The Dead Matter Movie Review
Title: The Dead Matter
Directed by: Edward Douglas
Starring: Andrew Divoff, Jason Carter and Tom Savini
Is this another example of a musician following in the footsteps of Rob Zombie? Composer and Midnight Syndicate music group creator Edward Douglas has taken the leap into the horror film genre by co-writing and directing the new movie ‘The Dead Matter.’ The film, which is now available on DVD and stars Tom Savini, Andrew Divoff and Jason Carter, combines the two biggest sub-genres of horror today, vampires and zombies in an interesting plot of good vs. evil.
The movie follows two vampire lords, Sebed (played by Savini) and Vellich (portrayed by Divoff), as they fight each other to be the first to find a powerful relic, the scarab, which can control the dead. They both want the scarab because they both have sinister plans for it. However, vampire hunter Ian McCallister (played by Carter) is also searching for the scarab, as he plans on destroying it.
Meanwhile, Gretchen (portrayed by Sean Serino) convinces her boyfriend Mike (played by Tom Nagel) to go into the woods with her to perform a séance in an effort to contact her dead brother Sean (portrayed by Kenyatta Foster). Their friends Jill (played by CB Spencer) and Frank (portrayed by Chris Robichaud) go with them, and Frank accidentally finds the scarab. Gretchen uses it to contact Sean, and soon realizes that she can control the dead with it.
As Sebed and Vellich continue to search for the scarab, Gretchen and Mike discover they can continuously control a zombie named Mark. While Mike and Jill want nothing to do with him, Gretchen keeps on using the scarab, thinking if she can control Mark, she can bring Sean back.
‘The Dead Matter’ starts off with an interesting concept, as it combines the two horror genres into one storyline. Not only does it show Sebed and Vellich wanting to control vampires and the dead, but the plot also has characters who want to perform scientific experiment on the zombies, like ‘Day of the Dead.’
However, as a result, Douglas, who co-wrote the film with Tony Demci, was not able to fully develop the characters, as there were so many of them. For example, while the viewers will understand why Gretchen wants to use the scarab to bring Sean back, nothing more is revealed about them. The audience is left wondering what their relationship was like, the circumstances of his death, etc.
Not much background is revealed about Sebed, Vellich and Ian either, and they are the other major characters in the film. It was also never fully and clearly explained why Sebed and Villich wanted the scarab, and how Ian planned to stop them. It would have been interesting to see what the two vampire lords had planned for the scarab, and how they would control the dead. Considering ‘The Dead Matter’ was only one hour and 37 minutes long, Douglas can have added this information without making the movie too long or drawn out.
But Douglas was skillfully able to interweave a subtle moral into the story, which is unusual for a horror film. With Gretchen’s heartache over losing her brother, Douglas was able to show that people have to deal with their grief. No one can be brought back from the dead (in real life; in the movie’s world, zombies are nothing like their old selves), and the living have to learn how to move on with their lives.
Douglas, was also able to draw on his musical experience with Midnight Syndicate, a goth group whose music is primarily featured during the Halloween season in haunted attractions, to include a score in the film that adds an eerie ambiance. Viewers will undoubtedly feel as though they are in the woods with Gretchen and her friends, in the library when she is doing research on the scarab, in Sebed’s vampire lair, etc., just by the subtle instruments heard in the background.
Being distributed on DVD by Midnight Syndicate Films, in association with Precinct 13 Entertainment, ‘The Dead Matter’ is a must-see for fans of the music group and the horror genre in general. Not only does the movie expose horror fans who may have never heard Midnight Syndicate’s songs before to similarly-themed music, it also showcases Douglas’ creativity and knack for writing.
Written by: Karen Benardello
My Name is Jerry Movie Review
http://www.shockya.com/news/2010/10/13/my-name-is-jerry-movie-review/
My Name is Jerry Movie Review
Directed by: Morgan Mead
Starring: Doug Jones, Allison Scagliotti and Catherine Hicks
Sometimes all it takes is stopping at a wrong party to realize that your entire life is full of mistakes. The new dramatic comedy ‘My Name is Jerry’ builds on that concept, and aims to show viewers that anyone can turn their life around by having a few positive chance encounters. The 96-minute film, which stars Doug Jones in the title role, proves in a non-preaching way that just because people reach a certain age, it doesn’t mean that their lives have to stop all together.
The film, which is based on an original story by Andrew Janoch and its director Morgan Mead, follows the life of salesman Jerry Arthur. As a middle-aged divorcee who is working in a dead-end job at the book publishing company Milton Hill, he is unsure of what his future holds for him. But Jerry’s self-esteem picks when he reconnects with his estranged daughter, Trisha (portrayed by Allison Scagliotti), who moves in with him after her mother dies. His co-worker and friend at Milton Hill, David (played by Don Stark), also sets up an interview for a position at Daemtech.
Jerry’s life also turns around when he meets several young adults, including the leader of the group, punk musician Jordan (portrayed by Katlyn Carlson), when he arrives at their house by accident. The musicians are so full of energy and eager to see what their future holds for them that they make Jerry realize he can move forward with his life.
Screenwriter David Hamilton was able to effortlessly translate Mead and Janoch’s idea and message onto the screen. In the opening sequence of the movie, when Jerry is going door-to-door, trying to sell books for Milton Hill, the audience is able to understand his pain. He constantly gets doors slammed in his face, and viewers immediately know Jerry is down-on-his-luck.
Mead also made a good decision not to give ‘My Name is Jerry’ a completely serious tone, so that viewers will realize that there is a light at the end of the tunnel for Jerry. While the moral of the story is quite simple, that chance encounters can dramatically improve a person’s life, the audience will ultimately root Jerry on and want him to succeed.
Despite his clumsiness at maintaining his life, Jerry’s character transforms dramatically throughout the movie, as he tries to land the new job, takes Trisha in to improve their relationship and makes friends half his age. The carefully understated boost in confidence allows the audience to stay connected to Jerry throughout the entire movie.
Mead also made the right decision to cast Jones as Jerry. Choosing an actor who may not recognizable to many people, and who looks like the average American, further allows viewers to connect with him and understand his pain. By the end of the movie, viewers will even feel so connected to Jerry that they will start to wish that they could hang out with him.
Jones also provides much-needed comedic relief to a serious subject. For instance, in the scene where he goes to the bar where Jordan works to see her friend Chaz (played by Steven Yuen) play with his band Satan’s TP, Jerry starts dancing with everyone else in the crowd. He doesn’t seem to notice that he’s not on the same beat with everyone else.
Jones also has great chemistry with Carlson, even though they really do have a 23-year age difference in real life. Carlson portrays Jordan as being a care-free person, while deep-down she really is concerned with Jerry’s well-being. The two are able to play the characters as having an admiration for each other, and can make the audience forget they have such a big age difference.
‘My Name is Jerry,’ which is being released on DVD and Blu-Ray on October 19 by Ball State University, Jones’ alma matter, in conjunction with Mead’s production company Clothespin Films, will definitely resonate with anyone who feels their life is redundant and you can try new things to improve it.
Written by: Karen Benardello
My Name is Jerry Movie Review
Directed by: Morgan Mead
Starring: Doug Jones, Allison Scagliotti and Catherine Hicks
Sometimes all it takes is stopping at a wrong party to realize that your entire life is full of mistakes. The new dramatic comedy ‘My Name is Jerry’ builds on that concept, and aims to show viewers that anyone can turn their life around by having a few positive chance encounters. The 96-minute film, which stars Doug Jones in the title role, proves in a non-preaching way that just because people reach a certain age, it doesn’t mean that their lives have to stop all together.
The film, which is based on an original story by Andrew Janoch and its director Morgan Mead, follows the life of salesman Jerry Arthur. As a middle-aged divorcee who is working in a dead-end job at the book publishing company Milton Hill, he is unsure of what his future holds for him. But Jerry’s self-esteem picks when he reconnects with his estranged daughter, Trisha (portrayed by Allison Scagliotti), who moves in with him after her mother dies. His co-worker and friend at Milton Hill, David (played by Don Stark), also sets up an interview for a position at Daemtech.
Jerry’s life also turns around when he meets several young adults, including the leader of the group, punk musician Jordan (portrayed by Katlyn Carlson), when he arrives at their house by accident. The musicians are so full of energy and eager to see what their future holds for them that they make Jerry realize he can move forward with his life.
Screenwriter David Hamilton was able to effortlessly translate Mead and Janoch’s idea and message onto the screen. In the opening sequence of the movie, when Jerry is going door-to-door, trying to sell books for Milton Hill, the audience is able to understand his pain. He constantly gets doors slammed in his face, and viewers immediately know Jerry is down-on-his-luck.
Mead also made a good decision not to give ‘My Name is Jerry’ a completely serious tone, so that viewers will realize that there is a light at the end of the tunnel for Jerry. While the moral of the story is quite simple, that chance encounters can dramatically improve a person’s life, the audience will ultimately root Jerry on and want him to succeed.
Despite his clumsiness at maintaining his life, Jerry’s character transforms dramatically throughout the movie, as he tries to land the new job, takes Trisha in to improve their relationship and makes friends half his age. The carefully understated boost in confidence allows the audience to stay connected to Jerry throughout the entire movie.
Mead also made the right decision to cast Jones as Jerry. Choosing an actor who may not recognizable to many people, and who looks like the average American, further allows viewers to connect with him and understand his pain. By the end of the movie, viewers will even feel so connected to Jerry that they will start to wish that they could hang out with him.
Jones also provides much-needed comedic relief to a serious subject. For instance, in the scene where he goes to the bar where Jordan works to see her friend Chaz (played by Steven Yuen) play with his band Satan’s TP, Jerry starts dancing with everyone else in the crowd. He doesn’t seem to notice that he’s not on the same beat with everyone else.
Jones also has great chemistry with Carlson, even though they really do have a 23-year age difference in real life. Carlson portrays Jordan as being a care-free person, while deep-down she really is concerned with Jerry’s well-being. The two are able to play the characters as having an admiration for each other, and can make the audience forget they have such a big age difference.
‘My Name is Jerry,’ which is being released on DVD and Blu-Ray on October 19 by Ball State University, Jones’ alma matter, in conjunction with Mead’s production company Clothespin Films, will definitely resonate with anyone who feels their life is redundant and you can try new things to improve it.
Written by: Karen Benardello
Monday, October 4, 2010
'You Again' Movie Review
http://www.shockya.com/news/2010/09/25/you-again-movie-review/
'You Again' Movie Review
The new romantic comedy ‘You Again’ is all about rivalries: not only are the lead women characters out for revenge on each other, but it’s also premiering against another major star-driven film, the Oliver Stone-directed sequel to the hit Academy Award-winning movie ‘Wall Street.’ While ‘Wall Street 2: Money Never Sleeps’ showcases the economic hardships Americans are facing today, a problem many Americans want to forget about while at the movies, ‘You Again,’ which stars Kristen Bell, Odette Yustman, Jamie Lee Curtis, Sigourney Weaver and Betty White, highlights the fact that petty high school rivalries plague women long after they graduated. While meant for fun, laughs and a good time, ‘You Again’ still seems destined to thwarted by its ‘Wall Street 2’ competition.
The movie starts off with Marni Young (played by Bell), now a prominent vice president of a large Los Angeles public relations company, giving an inspirational speech to the junior officers in her company. She relives her high school days, during which she was branded a “loser” by the popular crowd, but states that making it through those tough days only helped make her who she is today. Later, while traveling home to her hometown of Ridgewood, California, for the wedding of her older brother Will (portrayed by James Wolk of TV’s ‘Lone Star’), Marni discovers that the bride-to-be is her high school archenemy, Joanna (played by Yustman).
While the Young family adores the new, nicer Joanna, Marni tries to protect her brother by plotting to stop the wedding. Their mother, Gail (portrayed by Curtis), tells Marni that she should get over her differences with Joanna for Will’s sake. However, Gail’s outlook on mending old differences quickly changes when she meets Joanna’s Aunt Romona (played by Weaver), who was her high school rival.
The title of the movie, ‘You Again,’ sums up the fact that the film doesn’t set itself apart from other movies about petty high school rivalries. While screenwriter Moe Jelline tries to showcase the comedic acting talents of the lead actresses, including Bell, Yustman, Curtis, Weaver and Betty White, who plays Marni’s grandmother, the plotline seems as though it would work better for a half-hour sitcom than a full-length movie. While there were some comedic moments, such as Curtis and Weaver fighting in a pool after the rehearsal dinner and White showing off her moves during a dance rehearsal, Jelline didn’t include much substance in the plot. Viewers can tell right away that Marni and Joanna and Gail and Romona are old enemies struggling to make it through the wedding, so Jelline should have included a sub-plot to keep the audience entertained.
While Bell was the main actress and was able to show Marni’s disdain for Joanna and the pain she still felt from the torture she suffered in high school, Yustman was really the one that stood out. While she’s most remembered for starring in the horror movies ‘The Unborn’ and ‘Cloverfield,’ Yustman proved in ‘You Again’ that she can be a successful comedic actress as well. One minute Yustman portrayed Joanna as mean and vindictive towards Marni when she threatened to tell Will and the rest of her family about how she treated her in high school, and the next she was sweet and concerned for the welfare of others, when working to become an RN.
Among the older cast of women, White definitely once again stole every scene she was in, just like she did in ‘The Proposal.’ While Weaver and Curtis didn’t bring anything new to their characters that audiences haven’t already seen from them, White used physical comedy and one-liners to prove that even though she’s an older woman, she doesn’t want to be taken seriously.
‘You Again’ will definitely bring some light-hearted laughs to viewers, and is definitely appropriate for mothers and daughters to see together, as it was rated PG for brief mild language and rude behavior. But the lack of an in-depth plot and some immature antics by taken by numerous characters won’t be leaving Paramount Pictures, the movie’s distributor, with another blockbuster, award-winning film.
Written by: Karen Benardello
'You Again' Movie Review
The new romantic comedy ‘You Again’ is all about rivalries: not only are the lead women characters out for revenge on each other, but it’s also premiering against another major star-driven film, the Oliver Stone-directed sequel to the hit Academy Award-winning movie ‘Wall Street.’ While ‘Wall Street 2: Money Never Sleeps’ showcases the economic hardships Americans are facing today, a problem many Americans want to forget about while at the movies, ‘You Again,’ which stars Kristen Bell, Odette Yustman, Jamie Lee Curtis, Sigourney Weaver and Betty White, highlights the fact that petty high school rivalries plague women long after they graduated. While meant for fun, laughs and a good time, ‘You Again’ still seems destined to thwarted by its ‘Wall Street 2’ competition.
The movie starts off with Marni Young (played by Bell), now a prominent vice president of a large Los Angeles public relations company, giving an inspirational speech to the junior officers in her company. She relives her high school days, during which she was branded a “loser” by the popular crowd, but states that making it through those tough days only helped make her who she is today. Later, while traveling home to her hometown of Ridgewood, California, for the wedding of her older brother Will (portrayed by James Wolk of TV’s ‘Lone Star’), Marni discovers that the bride-to-be is her high school archenemy, Joanna (played by Yustman).
While the Young family adores the new, nicer Joanna, Marni tries to protect her brother by plotting to stop the wedding. Their mother, Gail (portrayed by Curtis), tells Marni that she should get over her differences with Joanna for Will’s sake. However, Gail’s outlook on mending old differences quickly changes when she meets Joanna’s Aunt Romona (played by Weaver), who was her high school rival.
The title of the movie, ‘You Again,’ sums up the fact that the film doesn’t set itself apart from other movies about petty high school rivalries. While screenwriter Moe Jelline tries to showcase the comedic acting talents of the lead actresses, including Bell, Yustman, Curtis, Weaver and Betty White, who plays Marni’s grandmother, the plotline seems as though it would work better for a half-hour sitcom than a full-length movie. While there were some comedic moments, such as Curtis and Weaver fighting in a pool after the rehearsal dinner and White showing off her moves during a dance rehearsal, Jelline didn’t include much substance in the plot. Viewers can tell right away that Marni and Joanna and Gail and Romona are old enemies struggling to make it through the wedding, so Jelline should have included a sub-plot to keep the audience entertained.
While Bell was the main actress and was able to show Marni’s disdain for Joanna and the pain she still felt from the torture she suffered in high school, Yustman was really the one that stood out. While she’s most remembered for starring in the horror movies ‘The Unborn’ and ‘Cloverfield,’ Yustman proved in ‘You Again’ that she can be a successful comedic actress as well. One minute Yustman portrayed Joanna as mean and vindictive towards Marni when she threatened to tell Will and the rest of her family about how she treated her in high school, and the next she was sweet and concerned for the welfare of others, when working to become an RN.
Among the older cast of women, White definitely once again stole every scene she was in, just like she did in ‘The Proposal.’ While Weaver and Curtis didn’t bring anything new to their characters that audiences haven’t already seen from them, White used physical comedy and one-liners to prove that even though she’s an older woman, she doesn’t want to be taken seriously.
‘You Again’ will definitely bring some light-hearted laughs to viewers, and is definitely appropriate for mothers and daughters to see together, as it was rated PG for brief mild language and rude behavior. But the lack of an in-depth plot and some immature antics by taken by numerous characters won’t be leaving Paramount Pictures, the movie’s distributor, with another blockbuster, award-winning film.
Written by: Karen Benardello
'Easy A' Movie Review
http://www.shockya.com/news/2010/09/17/easy-a-movie-review/
'Easy A' Movie Review
Every generation of American teens needs at least one romantic comedy driven by the day’s biggest actors that also relays their angst and frustrations. The 1980s had the multiple movies directed by John Hughes, including ‘The Breakfast Club,’ ‘Pretty in Pink’ and ‘Sixteen Candles,’ while the late ‘90s and early 2000s had the original ‘American Pie’ trilogy. Screen Gems’ answer to these films for this decade is the new low-budget ensemble movie ‘Easy A,’ starring new teen favorites Penn Badgley (of ‘Gossip Girl’ fame), Amanda Bynes, Cam Gigandet (remembered most for ‘Twilight’), Alyson Michalka (from TV’s ‘Hellcats’), Dan Byrd (most recently seen in TV’s ‘Cougar Town) and Emma Stone (from ‘The House Bunny’) in her breakout film role.
While having the misfortune of opening against the already critically acclaimed second movie from director Ben Affleck, ‘The Town,’ ‘Easy A’ picked up momentum and gained attention when Bynes announced in mid-June that the film would be her last. The 24-year-old former child star posted on her Twitter account that she knows she’s very young to retire, but she didn’t find acting fun anymore. However, just a month later, Bynes took to her Twitter account again, retracting her statement, saying she would like to take more acting jobs as they come along.
Even though ‘Easy A’ will face tough competition at the box office from ‘The Town’ during its opening weekend, it didn’t need Bynes’ big announcements to draw attention to it. It perfectly pinpoints the downfall and pettiness of high school as it follows smart, but socially non-existent student Olive Penderghast (played by Stone) as her reputation undergoes a makeover. Lying to her friend Rhiannon (portrayed by Michalka) about losing her virginity as a way to explain why she didn’t go camping with her, Olive’s world turns upside down.
Their Christian classmate Marianne (played by Bynes) spreads the rumor to the entire school that quiet Olive lost her virginity, and her life starts to resemble the book they’re reading in their English class, The Scarlet Letter. In order to uphold her new reputation and as a way to make money, Olive says she partook in sexual encounters with otherwise socially awkward boys. But as her reputation starts to go downhill, Olive tries to find a way to restore it.
Director Will Gluck’s decision to cast Stone, the most relatively unknown younger lead actor in the movie, as Olive was a smart decision. Like with her classmates with Olive at the beginning of the movie, the audience knows they’ve seen Stone somewhere else before, but they’re not exactly sure from what. But by the end of the movie, they both proved themselves to be worthy of knowing and remembering in the future. Stone showed that she understood Olive’s desire of wanting to move up in life, and is the breakout star of ‘Easy A.’
The movie also stands out for describing youth’s problems with society in a creative way. Instead of just having Olive complaining to Rhiannon about her ruined reputation or having her write in a diary, screenwriter Bert V. Royal had her discuss what went wrong with her plan in an internet video blog, which she broadcast to everyone in the school. Royal also showed that it’s perfectly fine for teens to stand up for themselves and go against what’s popular in an effort to make themselves feel better.
While teens may go to see ‘Easy A’ for the sexual content, they will most likely walk away from it, having learned an important lesson. While they may not realize that Screen Gems and Gluck were trying to show them that standing up for themselves is the ‘in’ thing to do, they will eventually come to realize that not going against their morals is more important than fitting in.
Written by: Karen Benardello
'Easy A' Movie Review
Every generation of American teens needs at least one romantic comedy driven by the day’s biggest actors that also relays their angst and frustrations. The 1980s had the multiple movies directed by John Hughes, including ‘The Breakfast Club,’ ‘Pretty in Pink’ and ‘Sixteen Candles,’ while the late ‘90s and early 2000s had the original ‘American Pie’ trilogy. Screen Gems’ answer to these films for this decade is the new low-budget ensemble movie ‘Easy A,’ starring new teen favorites Penn Badgley (of ‘Gossip Girl’ fame), Amanda Bynes, Cam Gigandet (remembered most for ‘Twilight’), Alyson Michalka (from TV’s ‘Hellcats’), Dan Byrd (most recently seen in TV’s ‘Cougar Town) and Emma Stone (from ‘The House Bunny’) in her breakout film role.
While having the misfortune of opening against the already critically acclaimed second movie from director Ben Affleck, ‘The Town,’ ‘Easy A’ picked up momentum and gained attention when Bynes announced in mid-June that the film would be her last. The 24-year-old former child star posted on her Twitter account that she knows she’s very young to retire, but she didn’t find acting fun anymore. However, just a month later, Bynes took to her Twitter account again, retracting her statement, saying she would like to take more acting jobs as they come along.
Even though ‘Easy A’ will face tough competition at the box office from ‘The Town’ during its opening weekend, it didn’t need Bynes’ big announcements to draw attention to it. It perfectly pinpoints the downfall and pettiness of high school as it follows smart, but socially non-existent student Olive Penderghast (played by Stone) as her reputation undergoes a makeover. Lying to her friend Rhiannon (portrayed by Michalka) about losing her virginity as a way to explain why she didn’t go camping with her, Olive’s world turns upside down.
Their Christian classmate Marianne (played by Bynes) spreads the rumor to the entire school that quiet Olive lost her virginity, and her life starts to resemble the book they’re reading in their English class, The Scarlet Letter. In order to uphold her new reputation and as a way to make money, Olive says she partook in sexual encounters with otherwise socially awkward boys. But as her reputation starts to go downhill, Olive tries to find a way to restore it.
Director Will Gluck’s decision to cast Stone, the most relatively unknown younger lead actor in the movie, as Olive was a smart decision. Like with her classmates with Olive at the beginning of the movie, the audience knows they’ve seen Stone somewhere else before, but they’re not exactly sure from what. But by the end of the movie, they both proved themselves to be worthy of knowing and remembering in the future. Stone showed that she understood Olive’s desire of wanting to move up in life, and is the breakout star of ‘Easy A.’
The movie also stands out for describing youth’s problems with society in a creative way. Instead of just having Olive complaining to Rhiannon about her ruined reputation or having her write in a diary, screenwriter Bert V. Royal had her discuss what went wrong with her plan in an internet video blog, which she broadcast to everyone in the school. Royal also showed that it’s perfectly fine for teens to stand up for themselves and go against what’s popular in an effort to make themselves feel better.
While teens may go to see ‘Easy A’ for the sexual content, they will most likely walk away from it, having learned an important lesson. While they may not realize that Screen Gems and Gluck were trying to show them that standing up for themselves is the ‘in’ thing to do, they will eventually come to realize that not going against their morals is more important than fitting in.
Written by: Karen Benardello
'Case 39' Movie Review
http://www.shockya.com/news/2010/10/02/case-39-review/
'Case 39' Movie Review
The Halloween season always draws out the craziness in people’s personalities. This is certainly the case in several aspects relating to the new horror movie ‘Case 39,’ the newest film trying to capitalize on the genre of demons possessing young girls. Starring Renée Zellweger, Bradley Cooper and featuring up-and-coming horror actress Jodelle Ferland, ‘Case 39’ not only relays the craziness of several of the main characters, but also the Academy Award-winning actress’ decision to star in the film.
Paramount Vantage, the studio behind ‘Case 39,’ even seemed to lack faith in the suspense thriller before its release. Shot in fall 2006, the movie was originally scheduled for release in winter 2008, and was then pushed back to that summer. Its release was delayed again to spring 2009, and it finally made it into theaters in the U.S. on October 1, 2010. Opening on this day makes ‘Case 39’s failure almost a certainty, as it debuted against the highly-anticipated ‘Let Me In,’ the remake of the Swedish vampire horror movie ‘Let The Right Ones In.’ ‘Case 39’ also opened against the highly-acclaimed and early Oscar contender ‘The Social Network,’ which details the rise of social networking empire Facebook.
Considering vampires and Facebook are all the rage in today’s society, ‘Case 39,’ seems to parallel the evil daughter theme seen in last year’s semi-successful drama ‘Orphan,’ which opened to mixed reviews. While fans may not currently want to embrace another evil child movie just yet, Ferland deserves credit for her portrayal of Lillith Sullivan in ‘Case 39,’ much like Isabelle Fuhrman did for her role as Esther in ‘Orphan.’
While Zellweger is credited as the main actress in ‘Case 39’ for her role of Emily Jenkins, the movie relies heavily on Ferland’s performance. The film follows Lillith after her parents are institutionalized for trying to kill her. Emily, a social worker, wants to protect Lillith and agrees to take her in until a permanent foster family is found. While the arrangement works at first, Emily grows suspicious of who, or what, Lillith really is after strange, unexplained things start happening to her friends, her co-workers, the families whose cases she’s working on and herself.
‘Case 39’ did have a promising start, as it made viewers question whether or not Lillith’s parents were, in fact, crazy, or if she was doing something to them that created the need for them to defend themselves. Director Christian Alvart made the right decision to focus on the strained relationship between Lillith and her parents in the beginning, and the reawakened hope for her future when Emily took her in. But as the story continued, Alvart took too long to introduce the possibility that Lillith was possessed, leaving the audiences to question if Emily was also going crazy while around the young girl. Isolated from her friends, co-workers and family, it seemed as though Emily was just suffering from the stress of caring for a ten-year-old girl.
Zellweger was also miscast as Emily, as she didn’t seem to be emotionally connected to her. The only other notable horror movie she has appeared in was 1994’s ‘Texas Chainsaw Massacre: The Next Generation,’ the third sequel to the hit 1974 original. After a delayed release, Zellweger even tried to stop that movie being shown to the public, as she was rising to fame in the hit Academy Award-winning movie ‘Jerry Maguire.’ She later garnered notoriety appearing in both comedies and dramas, and her performance in ‘Case 39’ proves why she should stir clear of horror movies in the future.
Contrastingly, Ferland, who was 12-year-old when the movie was filmed, has since risen to fame in the horror genre, having appeared in the 2006 adaptation of the video game ‘Silent Hill’ and this summer’s ‘Twilight Saga: Eclipse’ as Bree Tanner. She stole the spotlight from Zellweger in ‘Case 39,’ showing that girls really do want love and attention from their parents and loved ones, one of the themes of the movie, and will do anything to get it. Her role as Lillith proves that she’s perfected the art of appearing as an innocent protagonist, while all the while really being a sinister antagonist.
While rated R for violence and terror including disturbing images, the only disturbing thing about ‘Case 39’ was how well Ferland portrayed Lillith. While this movie will solidify Ferland’s presence in the horror genre, it will also reiterate Zellweger’s status as a comedic and dramatic actress, and the fact that she should quickly move onto her next case.
Written by: Karen Benardello
'Case 39' Movie Review
The Halloween season always draws out the craziness in people’s personalities. This is certainly the case in several aspects relating to the new horror movie ‘Case 39,’ the newest film trying to capitalize on the genre of demons possessing young girls. Starring Renée Zellweger, Bradley Cooper and featuring up-and-coming horror actress Jodelle Ferland, ‘Case 39’ not only relays the craziness of several of the main characters, but also the Academy Award-winning actress’ decision to star in the film.
Paramount Vantage, the studio behind ‘Case 39,’ even seemed to lack faith in the suspense thriller before its release. Shot in fall 2006, the movie was originally scheduled for release in winter 2008, and was then pushed back to that summer. Its release was delayed again to spring 2009, and it finally made it into theaters in the U.S. on October 1, 2010. Opening on this day makes ‘Case 39’s failure almost a certainty, as it debuted against the highly-anticipated ‘Let Me In,’ the remake of the Swedish vampire horror movie ‘Let The Right Ones In.’ ‘Case 39’ also opened against the highly-acclaimed and early Oscar contender ‘The Social Network,’ which details the rise of social networking empire Facebook.
Considering vampires and Facebook are all the rage in today’s society, ‘Case 39,’ seems to parallel the evil daughter theme seen in last year’s semi-successful drama ‘Orphan,’ which opened to mixed reviews. While fans may not currently want to embrace another evil child movie just yet, Ferland deserves credit for her portrayal of Lillith Sullivan in ‘Case 39,’ much like Isabelle Fuhrman did for her role as Esther in ‘Orphan.’
While Zellweger is credited as the main actress in ‘Case 39’ for her role of Emily Jenkins, the movie relies heavily on Ferland’s performance. The film follows Lillith after her parents are institutionalized for trying to kill her. Emily, a social worker, wants to protect Lillith and agrees to take her in until a permanent foster family is found. While the arrangement works at first, Emily grows suspicious of who, or what, Lillith really is after strange, unexplained things start happening to her friends, her co-workers, the families whose cases she’s working on and herself.
‘Case 39’ did have a promising start, as it made viewers question whether or not Lillith’s parents were, in fact, crazy, or if she was doing something to them that created the need for them to defend themselves. Director Christian Alvart made the right decision to focus on the strained relationship between Lillith and her parents in the beginning, and the reawakened hope for her future when Emily took her in. But as the story continued, Alvart took too long to introduce the possibility that Lillith was possessed, leaving the audiences to question if Emily was also going crazy while around the young girl. Isolated from her friends, co-workers and family, it seemed as though Emily was just suffering from the stress of caring for a ten-year-old girl.
Zellweger was also miscast as Emily, as she didn’t seem to be emotionally connected to her. The only other notable horror movie she has appeared in was 1994’s ‘Texas Chainsaw Massacre: The Next Generation,’ the third sequel to the hit 1974 original. After a delayed release, Zellweger even tried to stop that movie being shown to the public, as she was rising to fame in the hit Academy Award-winning movie ‘Jerry Maguire.’ She later garnered notoriety appearing in both comedies and dramas, and her performance in ‘Case 39’ proves why she should stir clear of horror movies in the future.
Contrastingly, Ferland, who was 12-year-old when the movie was filmed, has since risen to fame in the horror genre, having appeared in the 2006 adaptation of the video game ‘Silent Hill’ and this summer’s ‘Twilight Saga: Eclipse’ as Bree Tanner. She stole the spotlight from Zellweger in ‘Case 39,’ showing that girls really do want love and attention from their parents and loved ones, one of the themes of the movie, and will do anything to get it. Her role as Lillith proves that she’s perfected the art of appearing as an innocent protagonist, while all the while really being a sinister antagonist.
While rated R for violence and terror including disturbing images, the only disturbing thing about ‘Case 39’ was how well Ferland portrayed Lillith. While this movie will solidify Ferland’s presence in the horror genre, it will also reiterate Zellweger’s status as a comedic and dramatic actress, and the fact that she should quickly move onto her next case.
Written by: Karen Benardello
Friday, October 1, 2010
Fantasia Releases Third Album, 'Back To Me,' After Personal Struggles
Will Fantasia’s New Record ‘Back To Me’ Resurrect Her As a Singing Sensation?
The Former ‘American Idol’ Winner Hopes Her Third Album Will Make Fans Forget About Her Recent Personal Problems
Written by: Karen Benardello
Fantasia Barrino is trying to break back into the music scene with her third album, ‘Back To Me,’ released by J Records on August 24. But after the former ‘American Idol’ winner’s recent personal troubles, watching her kick off her promotional tour for the record can easily make both fans and critics question if she’s ready to get back to work.
Citing a renewed commitment to her music career and fans, Fantasia confirmed that she will visit a variety of talk shows, including past appearances on ‘Good Morning America,’ the day the CD was released and ‘Lopez Tonight,’ the following day. Her upcoming appearances include ‘106 & Park’ on September 8th; ‘Regis & Kelly’ the next day; and finally, ‘The Wendy Williams Show’ on the 10th.
Jrecords.com added that several critics have given ‘Back To Me’ good reviews, including The New York Daily News and Billboard. But the album surprisingly includes the song ‘I’m Here’ as a bonus track. ‘I’m Here’ is Fantasia’s well-known song from her time starring in the lead role of Celie in the Broadway play ‘The Color Purple.’
But including ‘I’m Here’ is just a reminder to fans that the innocent girl everyone was rooting for on ‘American Idol’ to turn her life around had suddenly become not so innocent anymore. Deciding to star in ‘The Color Purple’ was the downfall of Fantasia’s music career; instead of focusing on her records, she surprised everyone by instead taking on a Broadway show.
Despite earning critical acclaim when she first took on the role, Fantasia had to cut her time with the Broadway show short. She missed 50 performances, and producers had to refund thousands of dollars to disappointed fans. They had to scramble to find a quick replacement for her moments before the show was set to begin several times.
Fantasia missed the shows because she was ill, but since she didn’t disclose that to the public, it looked like she was just abandoning her responsibilities. ‘The Color Purple’ closed less than three weeks after her contract ended on January 6, 2008, despite having other big name stars, including Chaka Khan, BeBe Winans and another ‘American Idol’ contestant, LaKisha Jones, step in. The following September, Fantasia finally revealed to Sister 2 Sister magazine that she developed a tumor on her throat that left her feeling drained and too exhausted to keep performing every night.
Then came the speculation that Fantasia was having an affair with Antwaun Cook, a married man, and rumors began swirling the two had made a sex tape. After Cook’s wife Paula filed for divorce earlier this month and also began alleging the two made the tape, Fantasia tried to commit suicide by overdosing on pills.
While Fantasia’s fans will surely be excited that she’s finally releasing new music, the timing seems rushed. It seems as though J Records wants to push the fact that she is still making records, and make the public forget about her personal problems. Hopefully her music will help her get through the healing process, and Fantasia will only make headlines for her music and not her personal life in the future.
The Former ‘American Idol’ Winner Hopes Her Third Album Will Make Fans Forget About Her Recent Personal Problems
Written by: Karen Benardello
Fantasia Barrino is trying to break back into the music scene with her third album, ‘Back To Me,’ released by J Records on August 24. But after the former ‘American Idol’ winner’s recent personal troubles, watching her kick off her promotional tour for the record can easily make both fans and critics question if she’s ready to get back to work.
Citing a renewed commitment to her music career and fans, Fantasia confirmed that she will visit a variety of talk shows, including past appearances on ‘Good Morning America,’ the day the CD was released and ‘Lopez Tonight,’ the following day. Her upcoming appearances include ‘106 & Park’ on September 8th; ‘Regis & Kelly’ the next day; and finally, ‘The Wendy Williams Show’ on the 10th.
Jrecords.com added that several critics have given ‘Back To Me’ good reviews, including The New York Daily News and Billboard. But the album surprisingly includes the song ‘I’m Here’ as a bonus track. ‘I’m Here’ is Fantasia’s well-known song from her time starring in the lead role of Celie in the Broadway play ‘The Color Purple.’
But including ‘I’m Here’ is just a reminder to fans that the innocent girl everyone was rooting for on ‘American Idol’ to turn her life around had suddenly become not so innocent anymore. Deciding to star in ‘The Color Purple’ was the downfall of Fantasia’s music career; instead of focusing on her records, she surprised everyone by instead taking on a Broadway show.
Despite earning critical acclaim when she first took on the role, Fantasia had to cut her time with the Broadway show short. She missed 50 performances, and producers had to refund thousands of dollars to disappointed fans. They had to scramble to find a quick replacement for her moments before the show was set to begin several times.
Fantasia missed the shows because she was ill, but since she didn’t disclose that to the public, it looked like she was just abandoning her responsibilities. ‘The Color Purple’ closed less than three weeks after her contract ended on January 6, 2008, despite having other big name stars, including Chaka Khan, BeBe Winans and another ‘American Idol’ contestant, LaKisha Jones, step in. The following September, Fantasia finally revealed to Sister 2 Sister magazine that she developed a tumor on her throat that left her feeling drained and too exhausted to keep performing every night.
Then came the speculation that Fantasia was having an affair with Antwaun Cook, a married man, and rumors began swirling the two had made a sex tape. After Cook’s wife Paula filed for divorce earlier this month and also began alleging the two made the tape, Fantasia tried to commit suicide by overdosing on pills.
While Fantasia’s fans will surely be excited that she’s finally releasing new music, the timing seems rushed. It seems as though J Records wants to push the fact that she is still making records, and make the public forget about her personal problems. Hopefully her music will help her get through the healing process, and Fantasia will only make headlines for her music and not her personal life in the future.
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